A bit about Samsons Joinery

Samson's Joinery was started by me, the eponymous Ross
Samson, MA Hons, PhD (probably the only communist carpenter in
Glasgow with a doctorate). After twenty years as a medieval
historian and archaeologist, having written over twenty academic
papers for journals and books (you may remember me from such classics as
"Economic anthropology and Vikings" or "The rise
and fall of tower-houses in post-Reformation Scotland") and
run my own archaeological publishing business, Cruithne Press
(responsible for titles like
Material Harm: archaeological
studies of war and violence and
Indecent Exposure:
archaeological studies of sex), I decided on a change. With
acute business acumen, I realised that bespoke cabinetry and
antiques restoration would easily halve my already meagre salary
but at the same time allow me to work even longer hours. I jumped
at the opportunity.
Unable to shake my scholarly inclinations, I read
extensively on the Arts and Crafts movement (roughly 1880 to
1914) and am now a font of useless information which is rarely of
interest to anybody (not that this stops me passing it on). The
visual aesthetics of the Arts and Crafts have always appealed to
me. The decorative elements of Decorative Arts seem infintely
more beautiful than the clinical industrial lines of contemporary
design, yet remains sufficiently simple and plain to suit modern
tastes.

The movement's ethos of cooperative
guilds and the honesty of labour similarly appeal to my socialist
sentiments. (I spent half a year behind the Iron Curtain in
younger days.) By necessity, I have to make almost
everything myself or work closely with other craftspeople simply
because much of the semi-industrial production available to the
designers at the time of Ashbee, Voysey and Lethaby are long
gone. For example, one fireplace involved over half a dozen
people. The client herself visited a specialist antiques dealer
and found a copper hood. A ceramicist designed and made the
tiles; a tiler fitted them and built the fireplace and hearth. I
designed and partly built the wooden surround with help from an
assistant. My wife and I designed copper plaques which were made
by an artist, while my wife made the stained glass panels. The
timber came from a tiny sawmill that uses local windblown trees.
From start to finish the project was environmentally sound and
involved only self-employed workers, yet cost less than a
comparable fireplace and installation from a high street
fireplace shop.
Such a project is not finished in a week. Even
straightforward commissions from us will take what seems ages.
But not only will friends marvel at your handsome new addition to
the home, knowing how it came to be built will give you the warm
satisfaction that you have made society and our world that little
bit better.
Postscript. Did I mention that we plant trees?